Dick Tracy

I've been itching to do a Dick Tracy piece, so here is the start of it. More characters to come!

24-Hour Comic

I recently took part in a insane challenging task call the 24-Hour Comic by Scott McCloud. You create 24 pages of a completed comic in 24 straight hours without any planning whatsoever. I recommend doing this at least once in your life to experience torture the depths of determination you possess.  If you'd like to read it, click the cover image up yonder :)

SHORT STORIES WEBCOMIC

FREE COMICS!!!


In order to motivate me to do more of my own comics, I have started a web comic called Short Stories which will include the stories from my book in addition to new material that I haven't gotten around to finishing. The entirety of Cup-O-Noodles is up there now. Once I have caught up with the short stories I have on file (posting 1 per week), I will be posting complete stories once/month for the foreseeable future. This is a good way to motivate me to keep writing and finishing my own work in addition to the comics I am illustrating by other folks.
It would mean so much if you would go and subscribe! And even more if you could tweet it and facepage it and spread the word (@larsenproject)! Free comics! The next story will be up by Friday.
One day I hope to have enough to collect them all into one gigantic book...

Short Stories and Ink on Paper Sketchbook NOW AVAILABLE!

Short Stories and my Ink on Paper Sketchbook are NOW AVAILABLE at my big cartel store. Even if funds are tight and you can't blow 10 bucks on these books, please share this around so I can get rid of my overstock from Wizard World Philly. I would love for these to find good homes. Here's a preview...

COVERED

Featured on Robert Goodin's 'COVERED' blog is a new remake piece I created after the legendary Sal Buscema.  Sal is one of my favorite comic book artists especially his run on The Spectacular Spider Man series.

Check it out here!

Comment on the post after the link... even if you hate it.

Don't forget to check out more great remake covers as well!!!

Facebook Fan: www.facebook.com/edwin.vazquez.art

Twitter: @edwin_vazquez

Famine's Shadow

This winter I was contacted by horror writer Rachel Deering (Anathema) to do work on a graphic novel. That is still in the works, but in the meantime, I did a short story for a future anthology called Monstrology. Rachel wrote a great 12 page script for me, and being the fan of short stories that I am, I gladly tried my hand at it...


MOAR at my blog!

The Essentials of the Rocketeer

Done for The Essentials of blog. Make sure you check it out, there are some amazing artists contributing to it.

Adventure Time Issue 2 Variant Cover

pocketowl.deviantart.com

Hey y'all! It has been a long time. I just got hired for a pretty rad job, so here is the result. Painted in gouache on watercolor paper.

Harvey Birdman

Today's Illustration over at www.illustrationaday.com, Alex Toth's Birdman. I know Harvey isn't his name from the old series, but it's such a funny first name for him that I had to include it.

Duchess of Rings

www.daisychurch.com

My piece for the upcoming Sonic the Hedgehog 20th Anniversary tribute show held at 

BRAVE NEW WORLDS in Philadelphia, PA!

The show opens Dec. 2nd and runs until the end of December.

sonicgenerationart.com 

BIKINI COWBOY

lfrankweber.blogspot.com

Luke Weber's BIKINI COWBOY is now collected and available through Gallery Nucleus. Get your copy HERE.

A little Comic

James Gilleard / www.jamesgilleard.com

Here is a small comic I did over the weekend.

Harvey Awards

La Morté Sisters has been nominated for a Harvey Award for Best Online Comics Work!

In addition, Reading with Pictures (in which I did the art for a a 2 page story written by Russell Lissau) is up for 2 nominations: Best Anthology and Best Original Graphic Publication for Younger Readers.

I just wanted to send out well wishes and good lucks to all of the nominees.

Harvey Pekar in Huntington

I'm not featuring any of my own artwork in this post, I just wanted to point to a post I did on my my blog about Harvey Pekar's latest (and possibly last ever) graphic novel that was recently released. It's special to me because it's about his time in the city I call home: Huntington, WV. In it he recounts his experience speaking at our book fair where I was lucky enough to meet him. His speech really inspired me because it was about comics as an important art form, and it was during a time in my life when I was lead to believe that my cartoony art style was never going to be taken seriously.

Of course now I've somehow managed to become a member of the amazing Autumn Society and be involved in art shows all over the world! So if any of any of you guys or gals have ever been told to stop doodling and get a real job, you may want to read some comics by Pekar, an average joe who believed in comics as a legitimate medium for stories of all types. You can check out my in depth post about the book here!

Strange Kid Shorties #2

The second installment of my web comic for Strange Kids Club went up today, direct link here.

Lineage, a webcomic

Hey Autumn Society folks. I've been quietly working on a comic with writer/bud Michael Taggart. Mike and I have collaborated on lots of projects in the past and this is by far our most ambitious. The story revolves around a small cast of characters set in a new sci-fi universe, but reading the comic and checking out the website can describe it better than I can here.

I wanted to keep it under wraps until we had a good amount of backlogged pages, promising I would start making it public in the new year. With the coming of 2011 and 15 pages, we decided now was the time to start going public with our work. The project has allowed me to experiment with new ways of working and there is a lot to look forward to as it evolves. The comic is drawn to fit the screen, and working horizontally has been a new experience itself. I hope you check out the work and if you like the story so far, check out the website for updates every Wednesday at www.lineagecomic.com.

Included here is the intro scene. Enjoy.

JOEY FLY PRIVATE EYE 2 - EXCLUSIVE INTERVIEW & FEATURE!

The Autumn Society recently had the pleasure to review Joe Fly Private Eye 2 (In Big Hairy Drama), written by Aaron Reynolds & illustrated by Neil Numberman.

The book is a fun blend of humor, noir, mystery solving, and of course bugs! A perfect formula for a graphic novel for kids!

Aaron and Neil were super nice enough to answer some questions about the new book and their creative process in this exclusive Autumn Society interview. Aaron & Neil will also be visiting the blog frequently, so please feel free to leave comments or ask any questions you have for them.

INTERVIEW...

What a scoop! (Interview by Chogrin)

What first inspired you to be an artist / writer?
Neil: Probably the first crayon I ever picked up. It didn’t take much.

Aaron: I started as an actor and did lots of live theatre for kids and loved it. From there, I started writing plays for kids and that was only a short jump to writing kids’ books.

How did you two meet or start collaborating?
Neil: Aaron and I actually did not meet until earlier this year, well after the first Joey Fly’s release! And we barely collaborated, in the traditional sense. The entire process went through our editor at Henry Holt, Reka Simonsen, who pretty much had final say on all matters. She’s actually the one that paired us together.

Aaron: Yep. When I first saw Neil’s sketches of Joey Fly, I didn’t care for them at all. I was stumped by the fact that he had no pupils in his eyes and no mouth. How was he going to sustain 800 panels of a graphic novel when the main character didn’t have any pupils or mouth!? But when my editor expresses my concerns to Neil, he proved me wrong fantastically…he sent the editor 50 thumbnails of Joey in various states of emotion. Then he did 2 sketches of Joey MY way…with normal eyes and a mouth. MY way sucked. There was no doubt he knew what he was doing. The result was a character far more funky, fun, and unique than any I would have come up with. I’m thrilled with how Neil has created these characters.

Neil: Woot! Aaron gets to see the character designs in the beginning, then the sketches when I’m finished with them, and then the finals, but that’s it. I’ll get notes from him during each phase, but there always filtered through the publisher. Reka did a great job with that, too, making sure we were both happy with the outcome without letting us get ahead of ourselves. I suppose that’s one great advantage to working that way.

What successes or experiences did you learn from the first book?

Neil: I learned it’s worth working extra hard on a book. Unlike an editorial illustration, which ends up in tomorrow’s recycling can, a children’s book can be very important to some people. I’m still hanging on to most of my books from when I was a kid, and I’m sure those artists are happy they went the extra mile too.

And that can be difficult, putting in all that work. Back when I was starting Creepy Crawly Crime, putting in twelve hour days just to get one page finished, years away from the book ever building an audience, it was tough. But now I’m happy I did. Because that thing’s out there, with my name on it!

Aaron: From a writing perspective, I learned that mysteries are hard. This was my first mystery book in a traditional sense, and it would have been easy to write the ending first and then backtrack and make sure all the clues lined up…I was tempted to do that many times. But, in the end, I made myself discover the mystery along the way, just like Joey Fly. I knew what had happened in the crime, but I had to let Joey discover it for himself.

What is your ultimate goal for this series? How many books?
Neil: I’d just love to have the opportunity to work on more of them. It’s so much fun! But for that to happen, they have to be profitable for everyone, so I guess my ultimate goal is that the series becomes self-sustaining.

Aaron: Agreed. We both have ideas for many more, but before we can jump there, the publisher needs to see a following being built. You read ‘em, we’ll keep making ‘em.

Cartoons? Movies? Toys? Activities? Plush? Puppets?

Joey Fly Dolls

Neil: That’d all be fantastic! I had a great time making the book trailer last year, and would love to do that on a larger scale. There’s been some talk of movies, but I’m not holding my breath.

Aaron: Yeah, no breath holding. If it happens, it happens.

Neil: I’m having a lot of fun working with the characters. We’ve made some paper dolls, masks, ornaments, etc. My friend made me some dolls a couple years ago for my birthday, and that was really cool!

I’d be into mass marketing stuff like puppets or action figures, but Joey and Sammy have sixteen limbs between the two of them, so that won’t be easy!

Joey Fly Xmas Ornaments (Print & Cut out!)

Joey Fly Xmas Ornaments (Print & Cut out!)

Watch the animated trailer!

What inspired you to create this world in the first place? Tell us some of your influences in noir / bugs / art, etc.
Neil: I knew when I first read the script of Creepy Crawly Crime I’d have to brush up on my film noir. The film that’s helped me the most as far as camera angles, lighting, city backdrop, would be The Maltese Falcon. That movie has it all, plus some pretty hilarious “fight” scenes.

I really want Bug City to be rich in detail. More than anything, Martin Handford’s Waldo books really inspired me through the first two Joeys. He’ll draw thousands of people, animals, and monsters in a single spread, and every one of them is involved in a gag! Whether they’re antagonizing, or suffering, or reacting, everyone is involved. That was a huge inspiration for the world I created.

Big Hairy Drama mostly takes place in a theatre, and as I spent five years working at the Merriam Theatre while I went to school at UARTs, it was a subject I knew well! So I got in touch with my former bosses, took a day trip down, and took hundreds of references of the inside of the theatre. More than half the book, really, takes place at the Merriam!

Recognize it?

Aaron: I’d been a fan of farce mystery…Scooby Doo of my youth, the Clue movie starring Tim Curry, even the real stuff like Agatha Christie. Christie’s Evil Under the Sun is fantastic. As far as bugs go, they just make great characters. There are so many different kids and they’re so funky and unique. It gives you a limitless diverse cast of characters to work with, each with their own physical differences, defenses, and hangups.

What are some of the most gratifying things that you get from what you do? Seeing kids smile? Inspiring kids?
Neil: The best moments for me are when I’m touring or out promoting the book and kids start drawing Joey and Sammy on their own. And that’s the highest form of flattery. I know, because when I was their age, if I was drawing popular cartoon characters, like the Ninja Turtles, or Garfield, or Mario, it meant I truly loved them. I’ve gotten some pretty great fan mail from kids, and that always makes my day, especially when they reference a part of the book. It justifies all those late nights I put in!

Fan art! Isaac © 2009

Aaron: I LOVE seeing kids plowing through the book, excited and pulled into the characters. But I think the most satisfying thing for me is holding the finished book in my hands. It really is a work of art, just as an item itself, like a painting or a sculpture. I admire the deftness of the panel flow, the smooth-shiny feel of the cover, little moments of detail (for you actors out there, did you notice the spike-marks Neil put all over the stage in those scenes…a thing of beauty.) Just as an object of art, commercial or not, it’s quite special.

What recommendations can you give to aspiring writers & illustrators that would like to do what you're doing? Contact Art Directors? Post Your Stuff everywhere? Get in contact with people you want to work with?
Neil: Just be committed. I know that’s trite advice, but watching my peers from back in my UARTs days, they drop off one by one from the art world, and that’s depressing. These were talented people! It’s a rocky road right out of school, but you have to put your 10,000 hours before the real fun work starts to come in.

I’ll stick to giving advice to the children’s book illustrators here, though: The children’s book industry is full of passionate people who absolutely love what they do, and if you do too, it will show. Get out to any and all children’s book events, because publishers are there, trust me. Pass around your card (my card is how I first got my foot in the door at Henry Holt), reference your favorite books and shows and artists when you were growing up, and get emails. Oh, and make a website. You instantly have a 4000% better chance getting a job when there’s a place anyone can see your work.

And make sure you introduce yourself to the people who are hiring illustrators, not just other illustrators!

Aaron: There’s little I can add to that except prepare for rejection. But the path to success is truly paved with rejection. I got over 300 rejection letters over the course of 5 years before I sold my first book. It’s just how it works.

When your first started this project, did you pitch it to a publisher? Or did a publisher come to you to do it?

Neil: I just happened to be meeting with the publishers around the time his script was making its way around the office, and so Reka asked if I would do some samples. I still remember, she wanted one sample page, sketched, and one sample page, finished.

I went all out. There was no way I wasn’t getting this job. I gave her character sketches, a real polished sketch page, and a finish that even then had the monochromatic look. I basically put everything else on hold in my life to make sure I represented myself as best I could.

And it worked. St. Patrick’s Day, 2006, one of the best days of my life, I was offered not one but two book deals for Joey Fly!

Aaron: It works a little different on the writing side. No publishers come looking for me. I have to write a finished book and then sell it to a publisher. The beauty of that is that I get to write about whatever I want…nobody is telling me to create a book about bunnies.

What are some of the future projects you'll be working on besides this series? Do you plan on collaborating more?

Neil: I’m currently writing a series of heavily illustrated chapter books, and getting close to finding a publisher for them. It’s been a lot of fun to write so far, but has that extra pressure of being completely mine, unlike Joey Fly.

I would love to work with Aaron again! Besides future Joey Flys, I know he’s had me in mind for some of his other projects, but ultimately the publishers get final say.

Aaron: I second that. Neil’s work is fantastic and I really hope we get a chance to work together again. I have several projects in process, including a new graphic novel series about two cavemen (hoping Neil gets in the running for illustrating that one!) and a new mock-horror picture book about a bunny who thinks he’s being stalked by evil carrots.

What is your process in illustrating the book? Do you thumbnail the entire book and then go to final? If so, could you share some of your rough sketches with us?

Neil: The first thing I get is the manuscript, which in this case looks like a screenplay. I start by breaking it up into panels and pages, just by numbering each line and writing notes in the margins.

Then I thumbnail the entire book. I like to do this in bed, because the process is very similar to reading. It keeps me in a very receptive mode and helps the pacing of the story stay relaxed. After all, it’s in that relaxed state that most readers will be reading the book!

After the publishers take a look at the thumbnails (although I don’t know what they get out of them, they’re so sloppy!) I start the sketches.

thumbnail

The sketches are my favorite part. I get to draw all the characters and cityscapes, cryptic clues and crazy bugs. It’s definitely the most creative part of it, but it requires a lot of concentration. It took me three months to sketch out Big Hairy Drama.

sketch

Finally, I do the finishes, which can be real tedious. There’s not nearly as much to do creatively, but plenty to do carefully! I have to trace all the sketches, which I do with 2B pencils (instead of ink) and it’s killer on the hand. The coloring, which is done in Photoshop, is mind-numbing as well. Any scene with a crowd, I can expect a long day. To make it even more dull, the entire book is first done in grayscale, so I have flexibility in the end.

grayscale

But after that, I get to choose the colors for each scene, and that’s a blast. We really had a lot of fun with the color choices in this book, to create different moods and atmospheres depending on the scene.

And when that’s all done, I wait six months to see the finished product! And I couldn’t be happier. Joey Fly and the Big Hairy Drama is my proudest achievement as an artist to date and I hope it’s as well-received as the first book!

finish... And thus begins another adventure…

Buy Joey Fly on Amazon HERE
Follow Joey Fly on Twitter (twitter.com/joeyfly)

BIOS

Aaron Reynolds is a human, not a bug, but he often writes about bugs. He is the author of Chicks and Salsa, Superhero School, Snowbots, and, of course, the Joey Fly, Private Eye graphic novels. Visit him at his website at www.aaron-reynolds.com.

Neil Numberman is a termite currently residing in New York City. Joey Fly, Private Eye his first graphic novel series, but he is also the author/illustrator of the picture book Do NOT Build a Frankenstein. Stop by his website at www.neilnumberman.com.

Math Fiction 3D and Secret Prison 3

soo i've been feverishly working on this comic anthology called Math Fiction which i'm playing editor on. its going to feature 4 stories in FULL 3D by me
Ian Harker
Will Cardini
and Josh Burggraf
here is the digital cover, the real cover will be a 2 color screenprint. it will premiere December 4 at the Brooklyn Comics and Graphics Fest at the Yeah Dude Comics table
also premiering at BCGF will be Philly's own free newspaper tabloid Secret Prison 3! Featured artist that did the cover and 2 page color story is Aidan Koch, whos new graphic novella, the Whale, was just released on Gaze Books
watch that on the streets of Philly this holiday season!

New York Comic Con 2010

Missed out on last weekend's "New York Comic Con"? Allow fraternal twins, James and Lauren Sagoo to give you the grand tour!

Valentine Collection

Valentine will be collected into a fat 250 pg graphic novel of eps 1-8. The digital version will be available via Comixology and Robot Comics (more news on that when it's available).

(finished PS color)

Original ink/wash and more info at my blog. (Trying to draw more traffic/comments there :D)